Résumé :
Two contemporary novels written in French by Malagasy authors, Marie Ranjanoro’s Feux, fièvres, forêts (Laterit, 2023) and Johary Ravaloson’s Tribunal des cailloux (Dodo vole, 2024), give voice to what neither the courts nor the colonial archive would hear. In Ranjanoro’s work, the 1947 Malagasy uprising becomes a living counter-archive, where memory passes through female voices, ancestral gestures and cosmologies, into the forest. In Ravaloson’s, incest, homophobia and judicial inaction produce a dislocation of speech, rewoven by the poetics of the lamba and by the more-than-human world of stones and the Ikalariana River. Drawing on close reading and postcolonial and decolonial theories, I show how these texts, through a pluriversal ecopoetics, shatter the walls of a failing judicial order to open an ethical space that, without undoing the violence, widens the field of attention and reconfigures justice as relation.